Arts Open

Opening up your house to strangers is often a fraught and invasive enterprise. It usually means you’re trying to sell it or, if you’re renting, someone else is selling it out from underneath you. Or the estate agent is inspecting it and, if you’ve kept it nice enough, they’ll let you stay.

In our case, it’s a celebration of Art and the work we’ve made over the course of a year. We transform our living space into a gallery and open it up to the public every March. It’s a fine line between clearing as much out as we can, and keeping it liveable for the times between. This year, we were open last long weekend, and this one, for Arts Open Castlemaine. We scrub the windows, throw art up on the walls, and optimistically buy lots of red dot sale stickers because we always lose the pack we bought last year in the intervening 11 and a half months.

CdE_OUlUEAEi4Au

Despite the occasional bought of nerves, and all the extra cleaning, it’s wonderful. People are lovely and chatty, and ask great questions, and often lead me to new ideas, just by talking about the work. They see a different angle to something that I hadn’t considered, or are affected by different ideas in an image or story. Some respond to something from their childhood, or to the single mother in a story, and some just want to know the technical details. Whatever it is, there’s something about talking about the same thing over and over again to different people over several days that brings out new ideas to me as well: new work I want to make, or a different way of seeing an image I created and know right down to each leaf and twig.

Even if we don’t make as many sales as hoped (there are always some, but I never seem to end the week rolling around in a mountain of cash, tossing banknotes around like autumn leaves; gold coins tinkling around me like rain, and that seems most unfair) it’s an invaluable way to make new contacts, generate ideas, and absorb some of the enthusiasm that people bring with them. Always, the positives outweigh the odd negative. Of course we do get the odd close-talker, looooong-talker, left-of-field theorist or self-promoter. And there always, always seems to be one who is a combination of all of the above. Last week one man claimed something so wacky, and frankly racist, that I was very happy to show him the door. And there was the woman who walked in, cast a cool glance around, said “No, this isn’t what I want to see,” and swept out again. But I treasure these moments too, for they give me good drinking stories.

This year I am exhibiting work with my mum (Hooray!) Jenny Carrington, an incredible artist, book crafter and weaver, amongst many things. Style-wise, she comes from a ‘hard-edge’ background, but her connection to the landscape that is often her subject makes her work anything but hard. It’s imbued with symbolism, spirit and her deep love for the Australian bush.

Jenny_Carrington_WhipstickForest

Her woodblock prints are uncomplicated, but they’re far from simple.

Jenny_Carrington_OneTreeHill

And her pen drawing are full of so much detail, even her perfect shading is accomplished with thousands of perfectly placed pen-marks.

Jenny_Carrington_triple_helix_path

Arts Open is a great chance to visit artist’s studios and see how they work. Castlemaine is an incredible hub of artists: Photographers, painters, sculptors, printmakers, jewellers… You name it, someone here makes it.

So if you’re in Castlemaine this weekend (March 19th & 20th) please do come visit. Our door is open!

 

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